Etiquette Around Authors (SF/F especially)

I didn't write this article -- I found it on in news, and Paul kindly gave me permission to repost it here. It applies less to people like myself than to established writers -- the sort who get mobbed by fans (my fans tend to sidle up to me, blushing furiously, and mutter something about having 'read a few of the stories...'). I've seen some of the unproductive behavior Paul talks about at cons, and I thought this article might be helpful. It's at least funny. :-)

From: "Paul T. Riddell"
Newsgroups: rec.arts.sf.written

As a writer meself (I don't write SF, but I write quite a few essays about the stuff), here's a few tips about dealing with pro writers, most learned from years of long experience.

Firstly, remember that the writers you admire are normal folks, too. After you see them at a convention, they'll go home and most likely (save the ones lucky enough to make a living off writing) return to their day jobs. I know you admire them, but don't go all worshippy when you meet them.

Secondly, remember that they have real lives. Just because you get Harlan Ellison's phone number or Piers Anthony's fax number doesn't mean you have to use it (however, if someone happens to have H.Beam Piper's phone number, please call me collect). If you call while they're busy on, say, a new novel, you'll almost certainly interrupt them while they're on a roll. They could be doing other things, like washing dishes, playing with the kids, making love, taking a shower, or dissecting the Jehovah's Witness who won't leave them alone, and they'll feel lots less antic and friendly if you call just because you have their number and want to chew the fat. Remember: you may know them, but they probably don't know you.

(A tiny bit of advice to folks who think that a quick "let's do lunch" at a con is an invite to move in: go out and rent Martin Scorcese's "King of Comedy". If you find yourself imitating Rupert Pupkin in any way, you've usually overstepped your welcome as far as most pros are concerned.)

Thirdly, if you want to make friends with a pro, don't drink all of his booze at a party, try to get the name of his agent, swipe his books and steal his girlfriend, get up in his face and say "Your last book/story/review was a lump of wombat dung", hit him in the face with a cup of warm vomit, or any of the other lovely things fans have come up with over the years to express their feelings toward their favorite writers. If the pro is female, don't make a pass at her; she's most likely not interested, and she'll probably take you out. If she's married, her husband will probably finish the job, and you'll remember that moment well while in traction. This goes double for male writers: a fan once tried to make a pass at me, and my wife dropped her like an elephant full of curare.

Fourthly, NEVER send stories or story ideas to a writer, no matter how well-intentioned the act may be. Most fans forget that ideas are a dime a dozen; the difference between an idea and a finished book is about six months to five years of hard work. Most fans forget that, and so they tend to get antsy about a book appearing by an author they were chummy with that contains an idea they thought was theirs. 99 percent of the time, it's coincidence, but don't throw out the plot to your 15-book magnum opus to your favorite pro unless you really want him or her to hear about it. Most of the time, they really don't anyway, but they'll be polite.

Fifthly, NEVER EVER take advantage of a pro's politeness. When a pro stands back and lets a fan go into a 40-minute rendition of the biology of Andorians or something like that, they're probably just being nice and don't want to hurt the fan's feelings, but they're probably thinking "I wish lightning would strike me dead". If a pro breaks off and says "Sorry, but I have a panel, I have kids on the stove, and I need to take my Thorazine", don't follow them down the hall rattling away. Take a hint and let them have some time to themselves.

Sixthly, remember that you can't simulate tone of voice in E-mail, and that emoticons are a joke. Sending what to you was a mildly witty comment about the author's last book might read as an attack upon his writing ability, and thus is how flame wars start.

Lastly, remember this: if you really want to make a pro happy, buy his/her work. Nice postcards and letters are fine, but they'll appreciate you a lot more if you buy 500 copies of their latest books and give them out to friends and relatives, or convince a publisher to reprint a forgotten classic. We need to eat, too, and we can't survive just on the love of our fans. With that in mind, the next time you see your favorite writer, ask him/her politely if you can buy them dinner. If s/he's at a con, that's usually to the detriment of writing, and since most writers aren't writing for anything but a love for the genre, the recipient will remember. You probably won't get a book dedicated to you for it, but you never can tell.

Cordially,

Paul T. Riddell


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